Saturday, August 15, 2009

I’ve just turfed up these notes from a Liz Greene seminar I was on probably about 5 years ago:

We are all subject to

Chiron’s pain in the face of life’s inequality and injustice;

Neptune’s yearning, arising from our vision of something eternal that was there before birth and awaits us after death;

Pluto’s realization of our ultimate powerlessness in the face of nature and the collective;

Saturn’s recognition of our aloneness, our separateness, our mortality and our ultimate insignificance in the chain of earthly life.

I don’t seem to have jotted down anything for Uranus. Any suggestions? How about:

We are all subject to Uranus’s sense of existential insecurity, that whatever certainties we have come to rely on can disintegrate without warning.


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Monday, August 10, 2009

Of Piggies and Buggers

I have recently read a couple of Orson Scott Card’s sci-fi novels, ‘Ender’s Game’ and ‘Speaker for the Dead’. In the first of these, a young boy is intensively trained to become a military commander to fight ‘the buggers’, an alien race that at one point attacked humanity. Ender is trained for starship battle through the use of video games, and does become the military genius on whom the hopes of humanity are pinned. It turns out, however, that all is not quite as it seems. In the next book, set 3000 years later, Ender has become a Speaker for the Dead, who turns up when asked and recounts the truth of a dead person’s life: their real hopes and aspirations, as well as all the uncomfortable bits you’re not supposed to talk about. Central to this novel, however, is the presence of another alien race, ‘the piggies’, and Ender gets involved in humanity’s relationship to this race.

At one point Ender is a professor at a university, and we are introduced to 4 levels of ‘otherness’ which humanity has come up with in response to its encounter with alien races (so far, just the buggers, who it eliminated, and the piggies, with whom humanity is super-constrained, super-PC even, as a sort of contrition for what happened to the buggers). The names themselves are a parody of how we view the ‘other’. The 4 increasing levels of otherness respectively describe a human from another part of this world, a human from another world, another species that is nevertheless regarded as human and finally another species that is not regarded as human, such as animals.

Science fiction gives a freedom to explore ideas about what it is to be human in ways that ordinary fiction cannot perhaps do so easily. In Speaker for the Dead there is an anonymous commentator called Demosthenes, and a rather brilliant point he makes is that humanity’s ability to declare an alien species to be human is not a comment on the moral maturity of that other species, but on the moral maturity of humanity.

I can’t help thinking of America in this respect, and its list of rogue nations, its ‘axis of evil’ (which the Obama administration is perpetuating). Orson Scott Card is an American. You can just see the generals out of Dr Strangelove calling the alien species ‘the buggers’ and ‘the piggies’, with no sense of irony or parody. The USA sets itself up as the moral judge of other nations. (For the astrology of this, see my audio-blog on America’s Preachiness.) For all Iran’s faults, America makes itself look ridiculous when it talks (as Obama did a few months ago) about wanting to admit Iran to the community of responsible nations. It will be a sign of America’s moral maturity when it is able to treat Iran as a nation just like itself, rather than as ‘other’. Then there may be progress.

This doesn’t mean that I don’t think Iran should be stopped from getting nuclear weapons. I think it needs to be stopped. My point is that in trying to acquire nuclear weapons, Iran is behaving no differently to how America would behave in the same situation. Iran also has an ugly and intolerant ideology, but so does America. In a fundamental sense, nations are all the same, they have very similar motives.

Which is why I don’t want to single out America here, because it is in the nature of nations and of people to consider themselves superior. I once read an anthropological book which cited a tribe in the Amazon who did not consider the neighbouring tribe to be human. These days we tend to idealise indigenous peoples and Tibetans (when you see the word ‘Lama’, think bishop, it cuts through all the hyperbole. And when you think bishop, think Anthony Trollope’s Barchester Towers!) People have always tended to consider the 'other' to be less than human.

So America is an example of not just how all nations will behave in certain circumstances, but also how people behave individually and always have behaved, and that is really what Orson Scott Card is getting at in what is not just an allegory but also a great story.

Robert A Heinlein uses ‘otherness’ to raise taboo issues in his book Stranger in a Strange Land. What happens is that a human colony is set up on Mars, and everyone dies except for a human baby who is brought up by indigenous Martians, and who eventually returns to Earth. So he is physically human, but he thinks and acts like a Martian, in ways that are completely incomprehensible to humans. This first of all relativises the way we look at the world, but Heinlein goes beyond this and has the Martian human breaking just about every taboo going, including ‘free love’, murder and cannibalism. For him, it is an honour to be eaten after you’ve died, while ‘disappearing’ people who are threatening you is not a problem. In Speaker for the Dead, Orson Scott card also looks at the murder taboo, when ‘the piggies’ kill a couple of people in a really gruesome way, but from the piggies point of view they are honouring the humans; eventually both sides have to discover the other’s point of view.

The point about taboos is that they are absolutes, they are laws written in stone, so consideration of their merits and demerits is impossible: to think about a subject, you have to suspend your idea of what you think the conclusion should be, and with taboos many people would think you are some kind of pervert if you did this, like you were half way to breaking the taboo. Paedophilia has entered the taboo zone much more strongly in recent years, paedophiles are the modern witches. I’m not trying to defend them, but rather to make the point that intelligent thought about this subject has become increasingly difficult.

There always have been and always will be taboos, these moral areas that cannot be questioned without bringing the questioner under suspicion. After Stranger in a Strange Land was published in the early 60s (presciently, given what happened later in the decade), half of the USA thought Robert A Heinlein had lost the plot, and the other half thought he was a genius. So these authors are serving a necessary function within the tribe, dragging back into consciousness parts of the collective psyche that have drifted into darkness and judgement. Of course, not everyone will thank them for it. As some guy said a while back, no man is a prophet in his own country.


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